It's ok if you don't know what I'm talking about, Syberia II graciously provides a bite-sized prologue for the Syberia virgins of the world through an optional cinematic. The trio soon boards a whimsical wind-up train and shoot into the frozen unknown in search of Syberia. Kate Walker meets and joins Oscar, a wimpy yet loyal automaton built by Hans, in a bid to realize the crazed dreams of the frail old man. The old man seemed deliriously obsessed with finding Syberia, a sacred island where Mammoths still freely roam. When gamers last saw Kate Walker, she had found the elusive Hans Voralberg, an aging toymaker who built advanced machines and automatons.
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Having played through Syberia II, I can say the adventure genre has been given a nice shot of meds to keep it ticking for awhile longer. Luckily, the original Syberia satisfied some of our adventure cravings for awhile.
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Lately though, the torrent of adventure games from companies like Sierra and LucasArts have slowed to a trickle. Between then and now, there have been a bevy of titles keeping me up at night. As other boys my age were out hunting for pre-teen girlfriends, I was indoors playing text adventures like Zork, The Wizard of Oz, and Farenheit 451 on my Commodore 64. I've been playing adventure games for the better part of two decades.
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Aside from Funcom's The Longest Journey, there just haven't been many adventure games to get excited about in the past few years. Syberia II comes to us during an irrefutable slump in the adventure game genre.